Tuesday, May 26, 2009

The Shoot and Since

It has been several weeks since our shoot on the 15th and 16th of May. I eagerly await getting the footage back. As soon as I get tapes in my hand, I'll be jetting into Emerson to digitize. My hope is that I'll cut the two vignettes and the trailer over two days and then throw them up on the new site...thats right we have a real website in the pipeline.

I've worked on quite a few film shoots during my time at Emerson and Purchase College, and I have learned a lot about how things should be on set and how things should not be. Shant, the DP, and I structured this film to be 'the way things should be'. The BC Promo shoot was the test of this ethos.

Friday we shot a scene with Mike, which will be the first half of a longer segment involving Matthew and his sister Jaime (played by our amazing actress friend Abby Austin). The crew was as follows: Myself directing, Shant DPing, Kaz ACing AND Sound Recording like a some sort of a magician, and Anna ADing/Producing. We got a bit of a late start, but that wasn't a concern--we only had 8 shots to complete. The only important thing for us to consider (as the shoot was intended to be in so many ways a learning experience) was how long it would take us to complete what would be indicative of our simplest set-ups.

I would like to say everything went perfectly, and certainly some things did. Mike gave a great performance--we got everything we wanted, and Mike and I got to work together for the first time since the NBS film that shall remain nameless. Unfortunately the sun was working against us, beating down in an ugly manner during the whole shoot. Shant and I also had a difficult time communicating. It was a combination of my fascist director tendencies clashing with Shant's 'DP quietly holding a grudge' style. One thing is certain, we both know how to annoy the shit out of one another, usually in impossible to perceive ways, the human equivalent of dueling dog whistles.

We wrapped filming around six and headed back to campus, where we arrived around eight. After dropping everyone off, Shant and I headed back to his apartment to pick up some supplies before going to Carlisle for the night. We discussed the day and what had gone wrong in terms of our workflow. After about an hour of discussion we were back on the same page.
This set the tone for day two, the Saturday shoot with Colin (who will be playing Seany) in the morning and Mike and Abby in the afternoon. We also had my brother Alex on set, which kept the bitterness low and the jokes hilarious. The brothers even shared an odd pond-soaked cameo together, which will be seen, and closely scrutinized, at a later date.

The day felt like a gift from the filmmaker gods. The light was perfect from the minute we loaded the first mag to the second we rolled out twelve hours later. Shant and I worked with great ease, setting up shots and getting exactly what we wanted in a perfect timely manner. Kaz was on his game as usual, this time focusing (no pun) on AC work as Bill Kelson took over the duties of Sound Recordist--and, by the way, hands down best soundman I have ever worked with on a set! Thorough, attentive, and highly learned in all important sound principles. Anna kept us on schedule, making sure our shots happened right on time, rather than early or late. People often forget that the goal of an AD is not to get the production ahead of the workload, its to make sure the production remains accurate to the schedule as it was designed.

Mike and Abby got a chance to share the screen for the first time, and I caught a glimpse of how the rest of the film would work with rehearsals and improvisation. We shot one scene of real dialogue between Mike and Abby, and we improvised it, so the stakes were high. But the scene felt real. The performances had an energetic honesty and a trueness that recalled all the reasons I began making films in the first place. I have never had such a feeling of weird giddy excitement on a film set.

We wrapped our day shooting at Bates Farm Ice Cream in Carlisle. Shant and Kaz wandered the grounds filming perplexed farm animals and flower beds, occasionally catching a moment as Mike and Abby ordered their desserts at the window. The patrons stared at us at first, with our ancient film camera and giant lens/mattebox, but eventually life overruled the novelty of a film crew and we became less visible for just long enough to get the shots we needed. This was a great way to end the day because everyone got what they wanted--cast and crew got ice cream, I got to pretend I was Fred Wiseman for a couple minutes.

The BC Promo shoot when from the 'how things should not be' quickly to the definition of 'how things should be'. It was fulfilling to drop a crew off, after over twelve hours of hard on-set labor, and hear people eager to join up for the next shoot. Providence, I tell you! Providence!!
So without anymore of my rambling, here are some pictures (I had no time to edit these, so levels and so forth are totally off):






























until next time (which will be the announcement of the new website and the promos!)

-Ben

Thursday, May 7, 2009

We Shoot in a Week!

So here we are.

We have our amazing cast.

We have a few key locations.

We have our camera and equipment.

Time to shoot!

From May 15th to May 17th we will actually be rolling footage on Beneath Contempt... It is pretty insane to be even saying that, but we are treating this first shoot as a mini-movie. If we have something done by May, it gives us three months to make adjustments before we go up for the big September shoot.

Shant and I have been running around for two days securing insurance, booking equipment, and emailing people so that next weekend will be nice and organized. As for this weekend, Shant and I have booked the Aaton XTR and will be shooting a test roll to see about pull process and pushing for night exteriors.

We will have digital transfers of our test footage up as soon as we get it back. Hey, we might even throw in a little preview scene when we get next week's footage back!





Above is the view from outside the restaurant where Matthew works at night. This is the NIGHT EXT. with no lighting pushed 1 f-stop.





This is the same shot pushed 2 f-stops. The image holds up in terms of noise, but the Nikon D90 performs very well in low-light. Lets hope those Kodak Vis3 blacks do their magic.





CAR NIGHT INT shot of my face pushed 2 f-stops.





This is main street in Concord, MA. Pushed 2 f-stops.





Holding a light meter, looking like shit. This is pushed 2 f-stops as well.





The Club Car Cafe in Concord. We've looked at a lot of diners, but this place would be PERFECT.




This is the Carlisle bog. We will most likely shoot one of the scenes where Matthew walks Jaime to school. Beautiful and quiet.

Shant and I decided to use the video feature on the D90 to get a rough idea of how certain tilt-pan shots might work at the bog. We didn't have a tripod, and we forgot to lock down the auto-exposure, but I thought it might be cool to post one of them anyway...






may bog test from benjamin brewer on Vimeo.

That is all for now. Need to get back to work.

Next time we post, we'll have completed photography on a small portion of our feature film! CRAZY!

until next time

-Ben